ES Roxana Herz
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    Roxana Herz

    Here you can explore the essence of my art as a visual and digital artist

Artist Statement

My professional journey is a path between two passions: art and technology. The expression of my deepest emotions can be found in every stroke on the canvas of my life, while the rhythm of my days is shaped by my exploration of the world of computer systems. In this way, I venture along the paths of art, guided by the inspiration of those who have influenced me and by my great teachers.

After completing my postgraduate studies in "Technology in Contemporary Art" at the Faculty of Philosophy and Letters of the University of Buenos Aires, I was deeply influenced by Flavia Costa’s reflections on the techno-poetics of the living. Her ideas opened a new direction in my artistic practice, in which concern for the environment became a driving force.

Inspired by her ecological perspective, I set out to investigate the risks of lithium extraction in Argentina, a phenomenon driven by the demand for technology and improved telecommunications. This concern is at the heart of my current work, which addresses the repercussions of our actions on the environment in which we live.

Within this context, I continually return to those aspects that, from my perspective, often remain in the shadows. As an artist, my aim is to explore and experience how these two dimensions intertwine and influence our perception of the world around us. Through abstract painting, digital media, and the many other forms I choose for expression, the framework of my practice directly shapes the way I seek to build a relationship between each work and its diverse audiences.

One of the themes that emerges most frequently in my projects is the exploration of the intersection between the physical and the digital, between the tangible and the intangible. Through the fusion of art and technology, I seek to create sensory experiences that challenge the viewer’s perception. The forms and dynamics I adopt for each work and each conceptual exhibition seek to engage audiences in an interactive and immersive way. I believe that this exchange, this active participation between artwork and audience, is essential for generating new associations and meanings.

My interest in mathematics in general, and in fractals in particular, also plays a significant role in my creative process. They are part of what inspires my exploration of patterns and structures in both the natural and digital worlds. These elements become integrated into my artistic practice as part of a singular perspective: an appreciation and deep admiration for the beauty and complexity of the universe.

Finally, my interest in human relationships is reflected in the interaction between audiences and my work, and in the connections established among people during each artistic event. Through the combination of aesthetic, technological, and conceptual elements, I seek to create a space where people can connect, reflect, and share their own experiences. It is within this convergence, in this synergistic dialogue between the artwork and its audience, that my work is nourished, grows, and acquires deeper meaning.

Biography

I am an Argentine visual and digital artist whose career has focused on exploring the intersection between art and technology. I graduated with a degree in Systems Analysis from the University of Buenos Aires (U.B.A.) and complemented my education with postgraduate studies in Business Organization and Management, Distance Education, and Technologies in Contemporary Art, the latter at the Faculty of Philosophy and Letters of the U.B.A. I also have a solid background as a Computer Science teacher.

My artistic path has been shaped by distinguished masters such as Víctor Chab, Ernesto Pesce, Juan Doffo, and Eduardo Médici. I have participated in numerous solo and group exhibitions in Argentina and in international cities such as Miami, London, and Mexico. My work has received distinctions in several national and municipal art salons, and some of my pieces are part of the collections of the Museum of the Americas (MOA) in Miami, USA, and CETYS Universidad in Mexicali, Baja California, Mexico.

In 2020, I was honored with the UADE Bienal BIT Award and the award in the Digital Arts category at the 15th edition of the UADE National Visual Arts Competition. The following year, in 2021, I received an Honorable Mention at FUSION2020, in the Technology Applied to Art and Culture category, for my innovative approach to integrating technology into my artistic practice.

Solo Exhibitions

  • 2025: National Technological University (UTN.BA), Autonomous City of Buenos Aires, Argentina
  • 2025: MIA - International Art Museum of Venado Tuerto, Santa Fe, Argentina
  • 2025: Ochoseiscinco Foundation, Autonomous City of Buenos Aires, Argentina
  • 2023: National Technological University (UTN.BA), Autonomous City of Buenos Aires, Argentina
  • 2016: Borges Cultural Center, Autonomous City of Buenos Aires, Argentina
  • 2011: Thames Gallery, Autonomous City of Buenos Aires, Argentina
  • 2010: Espacio Allianz, Province of Buenos Aires, Argentina
  • 2009: Freudian School of Buenos Aires, Autonomous City of Buenos Aires, Argentina
  • 2009: San Isidro Cultural Center, Province of Buenos Aires, Argentina
  • 2008: Marcó del Pont Cultural Center, Autonomous City of Buenos Aires, Argentina

Group Exhibitions

  • 2025: “Nepal Art Council Gallery,” Babar Mahal, Kathmandu, Nepal
  • 2023: Fundación Ochoseiscinco, Autonomous City of Buenos Aires, Argentina
  • 2023: Legislature of the Autonomous City of Buenos Aires, Argentina
  • 2022: Conrad Meier Museum of Contemporary Art (MACCM), Villa La Angostura, Neuquén, Argentina
  • 2021: Art Gallery / Wall & Online, Vivi Julliand Contemporary Art, Bahía de Nordelta, Province of Buenos Aires, Argentina
  • 2019: Emilio Saraco Art Gallery, Neuquén, Argentina
  • 2018: La Caroyense Cultural Center, Córdoba, Argentina
  • 2016: Liliana Rodríguez Art Gallery, Autonomous City of Buenos Aires, Argentina
  • 2016: Art and Wine Gala, San Martín de los Andes, Neuquén, Argentina
  • 2016: “Juan Sánchez” Municipal Museum of Fine Arts, San Martín de los Andes, Neuquén, Argentina
  • 2016: La Fabriquera Art Gallery, General Roca, Río Negro, Argentina
  • 2016: Casa Gris Art Gallery, Cipolletti, Río Negro, Argentina
  • 2015: CajaBlanca Art Space, Autonomous City of Buenos Aires, Argentina
  • 2014: EGGO Art Fair, Recoleta Cultural Center, Autonomous City of Buenos Aires, Argentina
  • 2013: Casa de la Cultura Foundation, Pergamino, Province of Buenos Aires, Argentina
  • 2012: Argentinian Art Exhibition, London, United Kingdom
  • 2011: La Paz Art Space, Autonomous City of Buenos Aires, Argentina
  • 2008: Museum of the Americas, International Artist Exhibition, Miami, United States
  • 2008: Museum of the Americas, Argentine Contemporary Art, Miami, United States
  • 2007: Borges Cultural Center, Autonomous City of Buenos Aires, Argentina

Awards & Distinctions

  • 2024: Selected for the 3rd SINERGIA International Visual Arts Exhibition and Artists’ Gathering at CETYS University, Mexicali, B.C., Mexico
  • 2023: Selected for Blend+Latino, Reino Papel, Argentina
  • 2022: Selected for the 2nd SINERGIA International Visual Arts Exhibition and Artists’ Gathering at CETYS University, Mexicali, B.C., Mexico
  • 2021: Honorable Mention at FUSION2020, an event that blends technology, art, and culture at the San Martín Cultural Center
  • 2020: UADE BIT Biennial Award
  • 2020: Award in the Digital Arts category at the 15th edition of the UADE National Visual Arts Competition
  • 2017: Selected for the 2017 Grand Prize for Painting at the Banco Provinci Museum
  • 2016: Selected for the LXI Manuel Belgrano Plastic Arts Salon at the Sívori Museum
  • 2016: Honorable Mention at the XXXVIII Fernán Félix de Amador National Painting Salon at the Municipal Museum of Fine Arts in Luján
  • 2015: Selected for the 60th Manuel Belgrano Visual Arts Exhibition at the Sívori Museum
  • 2015: Selected for the 37th Fernán Félix de Amador National Painting Exhibition at the Luján Municipal Museum of Fine Arts
  • 2013: Honorable Mention at the 58th Manuel Belgrano Visual Arts Exhibition at the Sívori Museum
  • 2013: Honorable Mention at the Ward School’s Grand Painting Exhibition
  • 2009: Selected for the XL “Fernán Félix de Amador” Visual Arts Exhibition at the Paseo Quinta Trabucco Cultural Center in Vicente López

Testimonials

Something strange happens when we look at Roxana Herz's paintings,

Or at least that’s how it is for me: I look, and when I look away and then look again, I have the strange sensation that something that was there on the surface of the painting is now gone, and conversely, something that wasn’t there suddenly appears, as if something had shifted out of place, as if something had slipped off the edges of the canvas and slipped back in, camouflaged as something else. That sensation—perhaps brought on by the accumulation of brushstrokes and colors, by the folds and creases of the painting itself, absorbed in the urgency of capturing something before everything dissolves into an unpredictable magma—that sensation may be what the artist manages to convey to the viewer, who, in their eagerness to grasp some form, is always left empty-handed. And this is no small thing, for it is thus that the gaze is compelled to return again and again to the painting, as if it were meant to finish painting with its eyes what, for the artist, are always the traces and strokes of what she cannot reach.

- Eduardo Médici - Argentine Visual Artist - (2011)

ROXANA HERZ, an expressive world of dreams and fantasies, where questions take center stage

Stairs, faces, spaces, abstraction, asymmetrical forms, chromatic overlays, splashes of color, and different realities define the pictorial work of Roxana Herz, an artist who explores the inner workings of the subconscious, is interested in dreamlike imagery and the automatic descriptive method, and captures moments of wakefulness, sleep, and awakening. Objects, beings, faces, eyes, and allegories that transport us to other realms—seeming to float in space—seek evidence of their respective worlds, employing suggestive subtlety to explore the possibility of going beyond the familiar appearance of external reality that we are accustomed to fostering and believing in. In her work, there is an intersection of realities, environments, media, and spaces, which she marks with color, employing more intense tones, gradients, intermediate shades, overlays, and transparencies. She seeks to connect different worlds within an invented space, which she uses to link the various energetic environments that exist. Hence, her faces are allegories, but also characters from her dreams. Meanwhile, the staircases and asymmetrical forms serve as doors that open new paths for us toward other realities that are present—realities that intersect and combine with the space-time continuum.

- Joan Lluís Montané - From the International Association of Art Critics - (2006)

Roxana Herz’s work takes shape through a sort of playful battle, in which she explores the interaction between chaotic randomness that gives way to order and, at times, the everyday: an order that branches out into multiple labyrinthine paths.

Images that enigmatically evoke both internal and external landscapes. The brushstrokes intertwine, constructing complex spaces with depth: patterns, undulating horizontal lines, centers of force, connections, organic curves, and highly rational structures—graphic elements that evoke personal experiences and the textures of nature.

- Juan Doffo - Visual Artist - (2005)

Neither originality nor artistic expression—that is, the essence of a painting—are absent from Roxana Herz’s work.

Starting in 1999, the year he joined my studio, a very particular relationship with painting was evident (and remains so): an isolation from the outside world, an inward gaze that would later bear fruit. […] And from that letting herself be carried away down unexpected paths—to the depths of infinity to find the new, as Baudelaire said—from that spell of shapes and colors, she gradually discovered, with ever-greater technical mastery, a world of images: snails eroticized by time, moons and suns in twilight, angels, and primitive landscapes of the coming century. With this exhibition, Roxana Herz has ushered in an era of self-discovery.

- Victor Chab - Painter - (2003)

Roxana Herz is a visual artist born in Buenos Aires.

Her work demonstrates, on the one hand, the breadth with which she chooses her subjects and, on the other, the most refined formal elegance, based on very subtle linework that avoids any dissonance, and on a vivid, pulsating tonal range that never strays into out-of-place tonal resonances and remains in perfect harmony when the painting is viewed as a whole. At times, her works evoke the tender poetry of Paul Klee, while at others they stand out for the uncompromising originality of their execution, as Roxana Herz knows how to imbue them, in a very special way, with the fullness of the joy of living.

- César Magrini - Argentine art critic - (1997)

Contact

If you would like to learn more about my work, receive information about upcoming exhibitions, or are interested in acquiring artwork, please do not hesitate to contact me.

© Roxana Herz. All rights reserved.